‘Watchmen’ and ‘The Mandalorian’ Split the Emmy Craft Awards with Bold, Innovative Work
The shows each earned seven Creative Arts Emmys, thanks to “Watchmen’s” experimental surrealism and “Mandalorian’s” Baby Yoda and game-changing LED-wall tech.
The shows each earned seven Creative Arts Emmys, thanks to “Watchmen’s” experimental surrealism and “Mandalorian’s” Baby Yoda and game-changing LED-wall tech.
Cinematographer Mandy Walker and costume designer Bina Daigeler created a new vision for conveying Mulan’s inner power and strength.
Pinewood Atlanta, home of the MCU, partners with MBSi, Fuse, and SGPS/ShowRig on the latest virtual production innovation.
Emmy-nominated production designer Matthew Flood Ferguson discusses recreating the iconic Hollywoodland sign for the limited series.
Emmy-nominated cinematographer Jeff Cronenweth likens “Tales from the Loop” to a more emotionally-connected version of “The Twilight Zone.”
“The Handmaid’s Tale” eyes its fourth production design Emmy, as Elisabeth Williams extends the dystopian look to our nation’s capital.
Emmy-nominated costume designer Bina Daigeler demonstrates the politics of wardrobe for Cate Blanchett’s Phyllis Schlafly and Uzo Aduba’s Shirley Chisholm.
Cinematographer Erik Messerschmidt earned his first Emmy nomination for visualizing a wider range of locations with unsettling moods.
Composer Antonio Gambale’s experimental work for the Netflix limited series earned him nominations for both score and main title theme.
Emmy-nominated costume designer Amy Roberts discussed the importance of adding color to this “grand opera” about the royal family.
The Oscar-winning Swedish composer channeled samurai movies, spaghetti westerns, and John Williams for a new musical vision.
The underdog pig beat “Apollo 13” for the VFX Oscar with its innovative, performance-driven CG and animatronics.